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At daybreak the next morning Tocqueville and Beaumont were awakened by an artillery
explosion,
which was followed by the further firing of guns (in a "federal salute") and the ringing of all the
church
bells. Looking out, the commissioners discovered all the houses decorated with flags: the people of
Albany were preparing to celebrate the Fourth of July.
At nine the parade began to assemble, and suddenly the two interested onlookers found
themselves
included. Their friend Azariah Flagg, with Lieutenant Governor Edward P. Livingston in tow, came to
their hotel and insisted that they march with the dignitaries near the head of the procession.
When the parade started at ten o'clock, they found themselves preceded by what the Albany
Argus
proudly called the "militia escort ... all fine corps, well disciplined and equipped, and
exhibiting on this occasion their usual soldier-like appearance." Next, drawn in a carriage came a handful
of veterans. Then, in considerable pomp, paraded the orator of the day, the Lieutenant Governor and
the Chancellor with Tocqueville and Beaumont walking between them, the Secretary of State, the
Comptroller and the other civil authorities.
Following came the deputations of all the trades or associations of the city, each manned by
local citizens, triumphantly turned out, and bearing aloft the emblems of their professions. If the two
French visitors were astonished by such participation, the Americans seemed to look on with considerable
pride.
First in line, according to the solemn and circumstantial report of the Argus, came the Fire Department,
nine companies strong, with a new banner and a miniature engine.
Then the Sons of St. Andrews, and the Association of Printers and Albany Typographical Society,
with a float on which were to be seen a printing press and a gilt bust of Benjamin Franklin. At this press
printers were actually at work, turning off copies of the Declaration of Independence, which a boy
distributed to the crowd along the way. ...
On a flag staff in the center of the car, was displayed the U.S. colors, and in the several corners
were the national banners of France, Belgium, Poland, and Columbia. ... They displayed a
very large and finely executed silk banner of the N.Y. association of morning and evening journals,
politely sent up for the occasion by their brethren in New-York. ... The design of the painting was a
Clymer printing press, over which soared, with extended wings, the American eagle, holding in its talons
a bust of Franklin, and in its beak a scroll, with the motto, verite sans peur -- truth without fear.
On the right was the Goddess of Liberty, supporting the American flag; on the left a full sized figure
of a slave, bound in chains, who having burst the shackles from one arm, was in the act of grasping or
reaching towards the press for emancipation. Behind him was a crown reversed, and a sceptre broken in
pieces. The whole presenting an imposing and animating spectacle. ...
Next came the Mechanics Benefits Society, Carpenters' Architectural and Benevolent
Association, Painters' Association, Apprentices Society, and other societies, with their various badgers, banners
and
implements of art. ... The Procession moved through South Market, Ferry and South and North Pearl
Streets to the second Methodist Church. ... It extended nearly the entire distance from Ferry street to the
Methodist Church.
Two things about this parade bothered Beaumont considerably. The first was the order of
precedence, which was not at all what he was used to. And the other was the jovial participation of the industries
and trades. "Nothing would be easier than to ridicule these standards on which one sees written: Association
of Butchers, Association of Apprentices, etc., etc. But, when one reflects, these emblems seem very
natural among a people which owes its prosperity to commerce and industry."
Of course, the absence of real military splendor rather robbed the occasion of the brilliance that he
had expected.
Yet he [Beaumont] was broad-minded enough to concede that there was "something great in its
simplicity. You must not look in this procession for fine uniforms and broidered habits; you must think
of the great event which the day recalls and see under what emblems this recollection has engraved itself
in the memory of the people. Here you see carried in great pomp and old American flag, bullet torn,
which as come down from the war of independence. There, in a carriage at the head of the procession,
are 3 or 4 old soldiers, who fought with Washington, whom the city preserves like precious relics, and
whom all the citizens honor. ..."
"The Declaration of Independence was read in the Methodist Church by a magistrate who in
America performs functions analogous to those of a Procureur du Roi. Into this reading he put much warmth
and
dignity. It's truly an admirable piece, and the sentiments which the reading excited in the beasts of
the auditors were not feigned.
"This reading had been preceded by a religious prayer made by a Protestant minister. I recall this
fact
because it is characteristic of this country, where they never do anything without the assistance of
religion. I don't believe things go any the worse for it. A young lawyer [John B. Van Schaik] then
pronounced a political oration very much resembling an exercise in rhetoric in which he spoke of all the
countries in the world.
"The master idea of his discourse was this: All countries are coming back, and will return, to
liberty. To prove to you that he spoke of everything in his oration, it will suffice to tell you that he found a
means of speaking of our mission in America. Finally the ceremony ended by a hymn to liberty, sung to
the tune of Marseillaise. Each couplet was more or less well sung by different amateurs who in turn lifted
their voice, and the refrain was repeated by everybody. This episode in the ceremony was quite original.
The sense of the song was absolutely the same as that of the oration I just spoke of. I almost laughed
once or twice on hearing the orchestra, which after each couplet played a retournelle.
"This orchestra was composed of a single flute. One could not imagine a sound plus maigre than
that of this poor instrument, reduced to itself in a great chamber, and making itself heard all alone after a
great
tumult of voices singing together. Once more, however, it is not good taste and distinction that one
must look for in these popular celebrations. Taken altogether, this ceremony with its parade en habit
Bourgeois, with its commercial signs and its music with flute en retournelle, has made a deeper
impression on me than our great celebrations in France, such as reviews, messe du St. Esprit,
Procession, birth of a .Prince, anniversaries, etc., etc. There is more brilliance in our ceremonies; in those
of the United States there is more truth. ..."
With this verdict, Tocqueville was in pretty general agreement. The procession had struck him
as remarkably taciturn and solemn, more like a funeral than a celebration. He liked the honor and respect
accorded to the veterans of the Revolution, however. And he was particularly struck by the reading of
the
Declaration of Independence.
"That was really a fine spectacle: a profound silence reigned in the meeting. When in its
eloquent plea Congress reviewed the injustices and the tyranny of England we heard a murmur of indignation
and anger circulate about us in the auditorium. When it appealed to the justice of its cause and expressed
the generous resolution to succumb or free America, it seemed that an electric current made the hearts
vitrate.
This was not, I assure you, a theatrical performance. There was in the reading of these promises of
independence so well kept, in this return of an entire people toward the memories of its birth, in this
union of the present generation to that which is no longer, sharing for the moment all its generous
passions, there was in all that something deeply felt and truly great.
"They should have stopped there; but after the reading of the Declaration of Rights a lawyer
stepped up to make us a long rhetorical harangue in which he pompously passed the entire universe in review to
get to the United States which, in all respects, he made the center of the world.
"This had all the appearance of a farce. We see such things as that in France at the burial of our
great men. I came out cursing the orator whose flow of words and stupid national pride had succeeded
in
destroying a part of the profound Impression that the rest of the spectacle had made on me. ..."
(Pierson, p. 179-183)
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